STEPHEN FRYE
Oh, you know, some of us just have a depth gauge of restriction when it comes to intense emotional experience, but with a little shove from musicians and intimate females, we get a little greater perception of places we ourselves cannot go this album flirts with my edge of emotional experience
The Valley of Ghenna stood against the backdrop of darkened skies and looming hills, its timeworn cottages huddled together like frightened souls seeking solace. Among the villagers, Scarlett, a spectral young beauty, moved through the cobblestone streets, her eyes a melancholic shade of grey that seemed to reflect the sorrow etched upon her soul.
Once the jewel of the village, Scarlett's beauty was ethereal, her hair so blonde it bordered on white, a cascade of delicate strands that framed her pallid face. Men whispered sweet desires in her wake, but the sparkle that once danced in her eyes had faded, replaced by shadows that clung to her like a shroud. Since the untimely demise of her twin, Rosemary, Scarlett had become a mere specter of her former self. The village whispered about her fragility, the way she had withdrawn from the warmth of life.
Rosemary had departed this world prematurely, leaving her sister aching with inconsolable grief. The village physician, a man of science and reason, attributed Scarlett's malaise to the natural course of mourning. However, Scarlett was convinced that her sister's spirit lingered, and her nights were haunted by the ethereal whispers of Rosemary's cries.
"Don't leave me like this," Rosemary's voice would murmur through the darkness, echoing in Scarlett's tormented mind.
Scarlett, unable to accept the finality of death, sought solace in the macabre. In the dimly lit recesses of her manor, she delved into the forbidden arts, guided by an ancient tome she had unearthed in the dusty corners of the family library. The brittle pages hinted at a descent into the abyss as the only means to reunite with the departed. "The only way out is down," the old tome intoned with a foreboding certainty that sent shivers down Scarlett's spine.
Driven by desperation, Scarlett uncovered an ornate reliquary containing a single ivory tooth, the only tangible remnant of Rosemary's existence. With a fevered determination, she embarked on a perilous journey into the passageways beneath her ancestral home, guided solely by the whispers that led her deeper into the shadows.
As Scarlett descended into the subterranean labyrinth, her chambermaid, a woman privy to secrets both earthly and otherworldly, sensed a disturbance in the manor. The household, fueled by the maid's revelations, launched a frantic search for the forlorn beauty who had ventured into the depths below.
Yet, Scarlett eluded their grasp, her emaciated figure slipping through the hidden passages like a phantom. Her gaunt face bore the marks of her descent into the abyss, and her once-lustrous hair now hung in disheveled strands. The village was left in a state of disquiet, with rumors swirling like restless spirits.
In the gloom of the Valley of Ghenna, Scarlett's steps echoed in the silence, a mournful cadence that stirred the air like the last breaths of a forgotten melody. The village, gripped by a foreboding unease, stood witness to Scarlett's descent into the shadows, her journey a macabre ballet between the living and the dead.
It's like finding a discarded 8mm film projector with a ratty cardboard box filled with peculiarly strange and avant-garde home movies Her Menacing Pet
supported by 25 fans who also own “The Only Way Out Is Down”
Once again, Insectarium did it! This new opus will make you traveling without moving. Deep sound, great atmosphere! So, now it's time to hail the dragon! Alexei Rojinski
Cinematic dark ambient music from Melbourne artist Claire Deak that summons shadowy worlds full of mystery & intrigue. Bandcamp New & Notable Oct 15, 2023